Borat Creator Adopts African Baby Jesus, Fools National Guard

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The actor best known as “Borat” tricked the Alabama National Guard into allowing him onto a post, giving him a military uniform and briefly letting him train _ all, supposedly, for a German TV documentary.

The ruse, which included comedian Sacha Baron Cohen exposing his thong underwear while changing clothes, was going well until a young cadet recognized Cohen and notified older officers who weren’t familiar with the actor.

“It’s an embarrassment to the Alabama National Guard,” Staff Sgt. Katrina Timmons said Monday. “Since then we have put in protocols to make sure this doesn’t happen again.”

A film crew pulled the stunt Feb. 13 at the Alabama Military Academy, which trains officer candidates from across the nation. The school is located at the Army’s old Fort McClellan in Anniston, about 65 miles east of Birmingham.

Footage from the visit could be included in Cohen’s upcoming movie featuring his character Bruno, a gay Austrian fashion writer. The reported title is “Bruno: Delicious Journeys Through America For The Purpose Of Making Heterosexual Males Visibly Uncomfortable In The Presence Of A Gay Foreigner In A Mesh T-Shirt.”

Cohen’s spokesman, Matthew Labov, declined comment.

Guard officials who let Cohen and his crew into the Alabama base initially believed they were helping foreign journalists.

“They called and said they were a German affiliate of a TV station doing a documentary on what it was like to be in officer candidate school,” said Timmons. “They wanted to know if they could come here and embed one person for a few hours up to a day.”

Military officials met Cohen and his crew at the gate.

“He was treated like a member of the media and escorted around. He was put in a uniform like he requested to allow him to get a taste of what it was like to be an officer candidate,” she said.

Here is a description of some scene’s from Cohen’s movie, Bruno
In the first bit of footage, Bruno has decided to achieve celebrity by adopting a black baby, and wants to feature the child in an avant-garde performance art project. (“Ich bin pushing the limits,” he explains in broken German.) He interviews several mothers and fathers to determine whether their children would be suitable to play guest stars, and his questions grow increasingly absurd: Are they afraid of stuffed animals? Reptiles? Hornets? Would they be OK with being dropped off a four-story building, or willing to have liposuction? Regardless of the request, the parents categorically say “yes.”

Part two, which was shot just north of Dallas, finds Bruno appearing on a Jerry Springer-style talk show in leather pants, looking for Mr. Right. Members of the predominantly black studio audience are appalled by his in-your-face homosexuality, and they get even angrier when he brings out his adopted baby and shows them a self-consciously artsy photograph of the child posing as Jesus on a cross. Although it appears there are a few plants in the crowd to ask the right questions, the majority of them seem genuinely disgusted as they storm out.

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