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The One Story: HBCUs And The Gatekeeping Of Black Culture
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From The Final Call:

It could be because for the first time America has a Black president and the First Lady is a sista, and together with their two beautiful Black daughters overnight improved the international image of Black people, let alone Americans. But leave it to the diabolical minds at FOX Networks to pick up where BET left off with the debut of their newest show “The Cleveland Show,” where in just 22 minutes they managed to portray Black mothers as unmarried promiscuous sexual objects, Black teenage girls as headed down the same path as their mothers, young Black boys as sexual deviants, and Black people period as being unable to speak anything other than Ebonics — all in the name of comedy.

Just like with the character Shirley Q. Liquor, a Black, unmarried, welfare mother who guzzles malt liquor, drives a Caddy, and has 19 “chirrun” some of whom are named Cheeto, Orangello, Chlamydia, and Kmartina, who is routinely performed by a White man in blackface, there’s nothing funny about an animated television series that seeks to legitimize and reinforce every negative stereotype about Black people during primetime to the delight of White audiences from coast to coast.

When President Barack Obama was sworn into office, it signaled a new beginning for American politics and the end of mainstream media news reporting as we knew it because every day for the next four years, at least, a Black man was going to be the lead story on the evening newscast, and not for committing a crime, dunking a ball, or singing a song. In return, the news media sought to find balance by quietly, yet intentionally, removing Black anchors and reporters from newscasts around the country. I guess they figured one Negro making news on a daily basis was enough without having to hear about it from another as well.

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