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The Dollhouse, which is located in Oklahoma City, opened its doors on March 1 just for the 25-year-old and his extensive entourage.  As the evening progressed, employees of the club began smelling marijuana which was wafting from the VIP room and had eventually permeated the place.

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According to the unidentified club owner, he immediately shut down all party activities upon smelling the overpowering smoke. Police were soon called onto the scene. Officers began asking patrons to leave the premises. When authorities entered the club’s VIP room, they stumbled upon a half-lit marijuana cigarette and immediately placed into custody one of the club’s managers and issued the establishment several thousands of dollars in fines.

Now the owner of The Dollhouse wants Drake to give him financial restitution. The owner attributes his woes to the fact that his club would have remained closed, if the entertainer would not have asked him to open on that fateful night.

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At least 9 people were arrested after a huge fight broke out in a food court of the massive mall. Several witnesses said the fight started after a rumor that Drake and Lil Wayne were coming to the mall, Minnesota’s WCCO-TV reported.

VIDEO:

“There were drinks thrown on the floor and chairs being thrown everywhere,” witness Tess Dessalgne told Minneapolis’ KARE-TV. “Everyone started running towards the fight.”

Read more at NYDailyNews.com

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We’ll guarantee that there’s at least a few people on this list who you had no idea have Jewish roots.

Take a look:

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Nick Cannon challenges Eminem To Boxing Match [from TheUrbanDaily.com]

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MC Hammer Is So Appalled By Jay-Z, Dissing Hov On Halloween [from TheUrbanDaily.com]

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It has been reported that Drake and Nicki Minaj may not have actually got married.
Reps for the Young Money rappers have said that the pair did not tie the knot, despite both claiming on Twitter that they were “proud” to be romantically involved.

According to E! Online, the duo decided to collaborate on what appears to have been a publicity stunt.

Click here to view photos:

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Earlier today, both Nicki Minaj and Drake posted on their Twitter accounts that they got married. If you listen to their music, you will have noticed Drake once rhymed:

“I love Nicki Minaj, I told her I’d admit it, I hope one day we get married just to say we did it”

Here’s the video where he rhymed that lyric in:

To read more on this rumor, go to Mycolumbuspower.com

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Drake

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What Obama And Drake Have To Do With Being Black

It’s around this time every year that I make my annual Smokey Fontaine joke, but being that this year Smokey donned a pencil-thin mustache and appeared onstage as El Debarge, I’ve decided to cut him some slack.

Nice try Smoke, but everybody knows that El Debarge died horribly in a do-rag factory explosion over 25 years ago.

If he hadn’t, it would be the perfect time for him, a la Maxwell, to make a BET Awards Show inspired comeback that would return him to the top of the charts and make grown folks music a premium again.

Wishful thinking, I know.

Latifah was a good host, wasn’t she? She poked fun at all of previous incarnations from both stage and screen and even had a little fun with the notion that she’s (hint, hint) a hint, hint—if you know what I mean.

I couldn’t understand a word from Drake or Eminem and wanted them both off the stage.

I’ve hated that song by Monica right up until the moment that she brought Denise Williams up onto the stage.

Now I love it.

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Is Alicia Keys pregnant or do none of her dresses fit?

What exactly is “Dirty Money” and why must anybody watch it televised?

Trey Songz’s mom is a good-looking woman and Nicki Minaj is a bona fide superstar—haters!

How does DJ Khaled keep getting the cream of Hip Hop’s crop to perform on his weird, self-aggrandizing songs?

I wanted to feel for Chris Brown, but the last time I witnessed somebody crying through a performance of any kind it was Oliver McCall as he got beat senseless by Lennox Lewis for the heavyweight title.

Somebody needs to tell John Legend that a true humanitarian wouldn’t force us listen to hour-long acceptance speeches.

I’m glad that Prince is Black. I’ve always suspected that he was, but now I’m sure.

All in all, it’s great (to me at least) that a network—which admittedly has its flaws—consistently outshines the Oscars, Grammys, MTV and everybody else when it comes to putting on award shows.

Outstanding job, BET.

Anybody beg to differ?

NEW YORK – A free concert by pop band Hanson and up-and-coming Canadian rapper Drake was canceled Tuesday after twice as many people as anticipated showed up and many became unruly, police said.

The show started at about 6 p.m. with an opening act at Pier 17 on Manhattan’s South Street Seaport, a popular summer locale for concerts. Hanson, the Tulsa, Okla., brothers behind the 1997 hit “Mmmbop,” and headliner Drake, whose album “Thank Me Later” debuted Tuesday, were to appear on stage soon after.

Organizers were anticipating about 10,0000 people but nearly 20,000 showed up, police said. Many people climbed roofs and started throwing bottles, as concertgoers smashed together toward the stage, police said.

Witness Tamika Johnson told the Daily News newspaper: “People in the front started leaving because they were getting crushed.”

The concert organizers asked the New York Police Department for help dispersing the crowds around 7 p.m., police spokesman Paul Browne said. Two people were arrested on minor charges; six suffered minor injuries, police said.

The concert was part of the “Sounds Like Paper” series presented by Paper magazine, an independent magazine focusing on arts, culture and music. The magazine apologized on its website: “Wow, the crowd was much larger than we anticipated, and unfortunately the show was canceled. But we will make it up to you guys!”

The magazine posted several updates on Twitter during the night: “It’s a total madhouse — in a good way” and “get off the roof!”

Telephone calls by The Associated Press to representatives for Drake and Hanson weren’t immediately returned Tuesday night.

A spokesman for Drake, whose album features Kanye West and Alicia Keys and debuted to positive reviews, told the Daily News the rapper was disappointed the NYPD dispersed the crowds before he could perform.

Hanson’s “Mmmbop,” from the trio of brothers’ album “Middle of Nowhere,” was one of the biggest debut singles of all time.

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From TheRoot.com:

I’m the son of a black father and a white mother. As a child coming up in the 1980s and ’90s, I immersed myself in hip-hop style and culture, excelled at sports, rocked aerodynamic hairstyles, and spoke in the same florid body language that the older brothers at the local black barbershop were fluent in.

I played basketball fiendishly, and on the asphalt, other black players addressed me without thinking as nigga. Once or twice, some white person referred to me (also without thinking) as a nigger. I was black back then, period.

As I’ve gotten older, however, my clothes have started to fit slimmer and my interests have widened. And I can’t help but notice that I’ve become less black to others.

Click here to read more.

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It can and should be argued that when laws are unjust, the morally righteous man is an outlaw. Therefore, it would be downright loony to consider Harriet Tubman a criminal because she stole people’s property and set it free, or to call Rosa Parks a criminal because equal fare paid should always mean equal privileges, or to call Muhammad Ali a criminal because he refused induction into the US Army to fight in a war that he religiously opposed.

It would be loony, but it’s also true. All three were criminals. All three broke the law.

But let’s say that the moral terrain isn’t so rocky and we’re dealing with more conventional criminals. And not the Oskar Shindler types that might have occasionally stretched a truth here or there to help people, but, you know, hustlers and the like. Are they heroes too?

Well…

The popular Balzac paraphrase holds that “Behind every great fortune there is a great crime” and if we consider that illegal bootlegging afforded the money necessary for Joseph Kennedy to make one of his sons a US President, one a US Attorney General, and another a longtime Senator, we’d have to admit that Balzac wasn’t lying.

Still, I must admit that I do find it a little disheartening that until the ascension of Drake, the only possible way to have been considered a credible MC was to have had as a past an equally credible run as a crack dealer.

Seriously, even if we Blacks do tend to idolize our criminals, are we any different than any other people? Sure, a lot of white folks seem pissed about Bernie Madoff, but right after a criticism, you’ll see them shaking their heads and hear them whistling to themselves almost worshipfully about the splendor of a con that brought in 65 billion dollars.

The most interesting irony, I think, about the whole criminal thing is that when notorious mob rat Sammy “The Bull” Gravano “turned” on his boss, John Gotti and gave him up in order to get a lighter sentence and enter the witness protection program, all the New York papers roasted Gravano. After The Godfather, I guess that the media was expecting a little integrity from its gangsters. Meanwhile, that same media seems to expect Blacks to snitch, as if we have no such integrity to be concerned about.

Larry Davis (pictured above) was a criminal. Click on his name and read his Wikipedia profile and tell me whether or not he was a hero.

Shakespeare wrote, “Uneasy lies the head that wears a crown”, and not since Leon Spinks was briefly champion of the heavyweight division in 1978 has a top ranked dude looked so utterly baffled as to how to conduct himself as Lil Wayne.

This past year, not only has Wayne had to deal with standard rapper BS like drug and gun charges, but he’s made some bizarre personal choices as well. Already a father of two by two different women, the rapper reportedly now has another two children on the way and dueling prospective baby mamas in actress Lauren London and singer Nivea. Now, while this is certainly Wayne’s personal business and even biblical in a “King Solomon” kinda way, it’s also gotta be a bit of a distraction for a man that wishes to stay at the top of his game.

And not even Wayne’s professional career has made too much sense as of late. After inexplicably recording a song entitled “Whip It Like a Slave,” he appeared on the BET Awards this past Sunday night and as April Silver so brilliantly pointed out, by performing a song about wanting to sex every girl in the world while there were adolescents running around on stage, he actually flirted with encouraging pedophilia!

Now, if being the top dog since last year’s BET Awards has been Wayne’s psychological hurdle, he should be able to rest a little easier-he’s no longer king. As usual, the BET Awards were the coronation for a new top rapper. The only difference was that this time, despite a token attempt to retain the throne by Wayne, a injury-hobbled grab for the ring by Drake, and a desperate attempt by Hov to be the first man to regain the throne since it bounced around a lot between 86-92, this championship was actually decided off-stage. The new king just sat back and watched the whole show with his queen: regal and in control.

Exactly who’s had a better year than Kanye West? His most recent album, “808s and Heartbreak” was sensational. His song “Amazing” was selected by the NBA as the soundtrack to this year’s playoffs. And every guest appearance he’s made recently, be it on the remix of Beyonce’s “Big Ego“, on The Dream’s “Walking on the Moon” or on Keri Hilson’s “Knock You Down“, has been blistering. Paraphrasing poet Nikki Giovanni, as far as this past year is concerned: even Kanye’s mistakes have been perfect.

So get well, Wayne. As fans, we’re not allowed to dissect a man’s life, only his art. And what’s scary now is that at this point, the only two paths that seem to be available to you are the way of Bob Marley, or the way of the Ol’ Dirty Bastard.

From HipHopAndPolitics.com

Last night, live at the BET Awards in Los Angeles, a room full of head-bobbing, consenting adults bounced to Drake and Lil Wayne’s back-to-back performances of the hit songs “Best I Ever Had” and “Every Girl.” I watched, underwhelmed. I wanted more “Michael” in what was supposed to be this award-show-turned-Michael-Jackson-tribute. I watched, ever puzzled by the Lil Wayne phenomena that has captivated the music industry. I watched, wondering when the set was going to end.

Then the little girls came onstage…literally the little girls. “Are those children?” I asked out loud, in disbelief. Then the camera panned the audience. Everyone was still head-bobbing as the little Black girls huddled around these superstars.

“Are those little girls on stage…for this song?!?!” I, still in disbelief, lost breath and forced myself to exhale. “Why are these little girls featured on this performance? Is somebody going to stop this?” Again, the show was live, though for a nano-second, I was hoping that a hunched-over stage manager would bust through from back stage to scoop up the children, rescuing them from harm’s way…from being associated from this song. But instead, what those girls witnessed from the stage was hundreds and hundreds of adults (mostly Black people) staring back at them, co-signing the performance. These girls, who all appeared to be pre-teens, were having their 15 minutes of glam on one of the biggest nights in televised Black entertainment history, with two of pop culture’s biggest stars at the moment, with millions of people watching. They must have been bubbling with girlish excitement, shimmering like princesses all night. Pure irony: one of them wore a red ballerina tutu for the special occasion. And we applauded them.

I’m told that one of the girls is Lil Wayne’s daughter. That doesn’t matter. In fact that makes it worse. Last night we were reminded that there are few safe spaces for our little girls to be children; that some of us are willing to trade their innocence for a good head nod. BET and Lil Wayne are beneath low because, in effect, they have given premium assurance to these and other little girls that their best value, their shining moment, their gifts to display to the world, all lie within a context that says they are fuckable.

I’m also told by industry insiders that Lil Wayne was continuously sexually molested as a child, remains in a psychologically abusive relationship with the molester, and for that reason his understanding of what’s appropriate and what’s not appropriate for children is terribly skewed. I don’t know if that is true. If it is, help is needed. If it is true, it might explain something regarding Lil Wayne’s compliance in this offense. But what about BET’s nickel in this dime?

But did no one care that Lil Wayne’s song Every Girl is about grown men and their sexual escapades with women? Did the meaning and intent of the song matter to anyone, this song whose hook and other lyrics required a re-write in order to get air play? “I wish I could love every girl in the world.” That’s the radio-friendly version of “I wish I could f–k every girl in the world.” But Lil Wayne’s BET performance was the clean edit of the song. Perhaps he (and the show producers) thought that there was nothing wrong in featuring the children in the clean version. Perhaps we were supposed to see the whole bit as cute and innocent. Absolutely not. There’s no other way to cut it: in presenting little girls in a performance of a song that is about sex, group sex, and more sex, BET and Lil Wayne set the stage for child pornography. It doesn’t matter what version of the song was played, much like a man who batters women is still an abusive man, even if uses flowery phrases while battering.In the song, Lil Wayne mentions superstar Miley Cyrus, but Cyrus gets a pass on this lyrical sex escapade because, as he acknowledges, she is a minor. Huh? Why, then, is he comfortable with featuring four minors, these four little Black girls, in the show? How deep exactly is this inability of some men to respect women, and how deep is Lil Wayne’s disregard for the safety of little girls?

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Usher Regrets Missing BET Awards

Smokey Fontaine and I go through this every year. We bicker like children over the socio-political implications of the annual BET Awards. I think last year’s show picked our current president. He thinks it was ‘ok’.

One thing we do seem to agree on, though, is that the best rap performance is usually a coronation of the at-the-minute top rapper in the game. In 2001, Jay-Z had the gall to actually debut the song “Izzo (H.O.V.A.)” and killed it. In 2003, 50 Cent blew the doors off the show with “What Up Gangsta”. Last year, Lil Wayne sang something; but it was good.

And I can’t deny that I wasn’t waiting for this moment again, as part of the numbing process. I was hoping that maybe Drake would do something interesting, but he just sat there, rapping from a stool like an old man. I also hoped that Hov would cut his “DOA” performance short to kick his lead verse from the remix of “You Rock My World” but I was disappointed. Lil Wayne didn’t disappoint me any more than he has of late, which was completely.

Other offenders on this horrible night were Beyonce. By showing up on stage in an all white gown, she had me gassed to think that she was gonna refigure Diana Ross’ “Missing You” tribute to Marvin Gaye for… you know, but she sang “Ave Maria” and I wanted to throw some kind of magical shoe that could pass through my television screen and conk her on the head.

But there was good, of course. Much good. Maxwell was brilliant and single-handedly brought back the double-breasted suit. Ne-Yo freaked his version of “The Lady In My Life”. The OJays were great with the exception of not singing “I Love Music“, “Love Train” or “Cry Together“.  And Jamie Foxx was a competent host and funny and he was also the only one that gave us what we needed all night long. Then Janet Jackson showed up to reclaim what was hers.

After that, we went back to mourning. I must admit, it was an almost impossible task trying to both celebrate and grieve at the same time and on only three days notice.

But it was done.

The two hottest songs on the radio right now are Drake’s “Best I Ever Had” and Lil Wayne’s “Every Girl”. What makes this interesting is not only the fact that Drake is affiliated with Wayne’s Young Money label, but the fact that the two songs offer completely conflicting and polar opposite perspectives on relationships with women.

In the chorus of Drake’s song, the rapper chants “I want this forever”—talking about his thing with the girl to whom the song is dedicated. In the chorus of Wayne’s song, Wayne chants “I just want to (shag) every girl in the world.”

I asked eight dudes at my Factotum-like night gig which of the two they’d want: a sky’s-the-limit relationship where you could be president or even crowned king somewhere but would have to remain monogamous with one woman or sex with a different chick every night.

Here’s what they said:

“You get bored with the same thing every night,” explained a 22-year-old cat.

“I need a little variety,” said a 35 year-old Spanish cat.

“A different chick every night!” cheered a 39 year-old Haitian cat. “Shiii, I’m a freak! My uncle’s a freak, my cousin’s a freak, my nephew’s a freak, my granddaddy…”

When I left this dude’s side, he was still naming freaks.

“A man that chases after different women is a man unworthy of respect,” explained our shift supervisor, a 55 year-old, married Ghanaian.

“Before, I might have taken a different girl every night,” began a 29 year-old married cat. “But now, I’ve had that. I did that. I’m taking one girl.”

“I could stick with one girl,” said a 26 year-old brother. “If her (stuff) was good!”

“If it’s your girl, you stick with her,” said this 25 year-old Italian cat that’s been with his same Dominican lady for the last 7 years.

“(Forget) that!” screamed this 20 year-old cat. “I’ma keep it one hundred: I’m (shagging) everything!”

This made our vote a 4-4 tie.

What’s your vote?